Atomos Sumo

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The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. 

The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
For the first time your on-set production monitors can be HDR capable and have recording capability. Now every monitor is not only for high quality shot preview, it can also record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19" 1200nit 10-bit HDR screen.


Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with support for Genlock and LTC timecode.


12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.


Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.




Without batteries, media & stand 5.45kg / 12.0lb
With stand 6.0kg / 13.2lb
Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
Construction Aluminium alloy chassis with built in armor protection
Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
VESA mount rear
Operating power 75W
Compatible batteries V-Lock / Anton Bauer via XLR terminal 
(optional mounting plates available) 
95Wh or larger recommended.
Input voltage (battery) 14.4V nominal
Battery time Depends on Watt Hours specification of battery used
DC In 1 x DC in (12 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system. 
Change batteries without losing power 
Loop batteries continuously
Size 19”
Resolution 1920 x 1200
PPI 120
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1200nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Video Signal Conversion


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